My wife and I have just returned from an adventure that was 50 years in the making – our 50th Anniversary Tour.  My wife is the planner and organizer.  I’m a typical tourist.  When she suggested a cruise for our anniversary, I thought, “Great idea.  She gets to relax and enjoy life without cooking and keeping house.  I get to take pictures.”

It wasn’t exactly that way.  The cruise she was suggesting was on a 137 year-old wooden ship with few to no modern conveniences.  She had booked passage on an historical old schooner that would transport us to and through the islands off the coast of Maine, as well as some of the most scenic ports ever to be visited. 

That was just the beginning.  Our anniversary celebration lasted seven weeks with historic and cultural excursions through twelve states, mountains, oceans, coastlines, safe harbors, farmlands and a few irritatingly large cities,  Much of it was strictly spur-of-the-moment decisions.  Only the cruise and a leased cottage near Acadia National Park were pre-planned.

I can’t effectively cover the entire adventure in one post.  It would be much too long and, for some, bore you to tears.  I’ll break it into sections to please myself and give any readers the opportunity to pick and choose what to read and when.  Chronological order may seem the best approach.  But, remember, my wife is the organized one. 

As stated, this will be approached from a photographer’s point of view.  i will drop a few tips or provide references throughout.  I’ll mention right here that this article is especially relevant for photographers using “point-and-shoot” cameras.  A lot of what I have submitted to my stock agencies was shot with a Sony Cyber Shot, DSC-W170, 10.1 Mega Pixel camera that I carried around in my pocket. 

I bought this camera shortly before leaving for the cruise because I was afraid that the salt water would ruin my “Professional” equipment.  Man, did this baby perform.  My wife used the camera for the above picture of me in a canoe.   I love it.

Since our grandson spends summers with us, his return to the DC area was incorporated into our plans.  We decided that driving would provide the best opportunity to enjoy the history and culture of our nation’s birthplace, the East Coast and especially New England.  Besides, Dillon is seventeen.  He helped my drive through Texas, Arkansas, Tennessee and Virginia.  Parts of that section will be included in our adventure.

We will relax along the Blue Ridge Parkway; curse frantically along New Jersey and New York’s toll roads; recover along a calming, tree-covered Connecticut trail; see hardly any of Massachusetts; gape, open-mouthed at the beauty and cleanliness of our greenest state, Vermont. 

Hunting a moose will bring us into Maine a few days before our scheduled windjammer departure from Rockland, Maine.  The early arrival will allow us time to thrill at the plethora of lighthouses along our coastal shores, learn more about lobster men and the rugged life of fishing and fishermen;  step back in time as ancient airplanes and historic vehicles are on display and demonstrate their capabilities at the Owls Head Transportation Museum. 

We will document our six days of sailing on a strictly authentic schooner as we are offered the opportunity to learn sailing as hands-on crewmembers of this beautiful relic from our coastal history.  Our ship will follow no particular course as we let the wind lead us to the best harbor for the evening, or the most interesting of the thousands of islands along Maine’s coast. 

We will view much of Acadia National Park from the deck of our schooner and spend time ashore at our own lobster boil; gawk at the “cottages” of several of America’s wealthiest citizens and shop in quaint shops of Stonington, Maine on the ever popular Deer Isle.

We will spend another week in a small fishing cottage in Stonington, using that as headquarters as we explore Acadia National Park and eat lobster almost every day.  Jane will take in the local farmers market and we will see a movie in the hundred year old Stonington Opera House.

This already has gotten too long.  I will add pictures and anecdotes as we work our way around Moosehead Lake, the Catskills, Pennsylvania’s Amish Area and on to the Great Smoky Mountains National Park.  I promise something for everyone and a generous selection of images and photography techniques.  Please stay tuned for more on our great adventure.

l8r

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Wildflower season in Texas is waning.  The lack of rain left the bluebonnet crop lacking.  But the red flowers are brilliant.  The flowers seem to come in phases.  Bluebonnets and yucca lead the way.  Following the blue season is the red season; indian blanket, indian paint brush, red poppies and some stuff I can’t name.  Yellow follows the red season; daisies, sunflower, etc.

In a good season, photographers line the highways and tourism brings a smile to the faces of local business people.  Finding just the right (not already occupied) spot is a task.  There is a place, however, for photographers to get an entire season of wildflower photographs in one day.  The Wildseed Farms is on US290,  seven miles east of Fredericksburg.  Not only can you have free access to their gardens, you can buy seeds and plants for your own garden.  They also offer very artistic planters, pots, bird baths, water structures and decorative designs.

My wife has a new car.  We decided to take it for an old-fashioned Sunday drive.  She had never been to the Wildseed Farm and had always wanted to see the place … and shop.  She is really into gardening.  She absolutely loved it.  We spent several hours there; me taking pictures and her ooohing and ahhhhing, admiring the flowers and handling the trinkets.  She wanted something for her mother.  (Mother’s Day, you know)  She didn’t find that perfect gift but did buy several packages of seeds for our own gardens.

There are 200 acres of wild flowers in  various stages of development.  The shopping areas are central; you go through the shops to get to the flower trails.  There is no charge and it seems the flower gardens are laid out with photographers in mind.  Distractions and busy backgrounds are minimal.

We stopped in Fredericksburg for our Sunday drive lunch but could just as well have visited the Wildflower Farms’ Brewbonned Biergarden.  They serve some excellent sandwiches and offer a beautiful outdoor setting for enjoying your lunch and beverage.

There also is a live butterfly exhibit.  We will try it on our next visit.  There is a small fee.  It was four dollars  for seniors.  I can’t recall the other prices.  You can gather much more information at their website, including phone numbers and the hours.  The website is at:

http://www.wildseedfarms.com/

Maybe we can schedule this as a Photography Club outing.  I will propose the idea tonight at our monthly meeting.

l8r

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This week finds me pushing away from the “how to” stuff and just remembering how fortunate I have been.  My camera allowed me to be a part of one of the most exciting sports in the world – motocross.  It brought me close to super heroes and some of the zaniest characters ever.  One of my super heroes, David Bailey, was born December 31, 1961, in San Diego California.  In honor of his birthday, I’m dedicating this post to “The Icon.”

I first met David Bailey in Gaildorf, West Germany in September 1982.  He was rushed to Germany to replace Donnie Hansen on the US Motocross and Trophee des Nations Team.  Hansen was injured while practicing for these events.  The accident was essentially the end of his career and the beginning of David Bailey’s ascension to Super Hero status.  Ultimately, both riders were inducted into the Motorcycle Hall of Fame.

One of my first images of The Icon was less than flattering. It was right after the first moto of the Trophee des Nations and he was puking his guts out.  In the rush to replace Donnie Hansen, David was not allowed a lot of transition time.  He was exhausted from the unplanned trip, adapting to a new time zone and sleep (or lack of) schedule, and had just raced his heart out for Team USA.  Against the best motocross racers the world had to offer this hardly heard of American had just hung on for an eighth place finish, enough to place his team first going into the final race.  Certainly no shame in that well-earned puke.  :-) 

1982 was the year after the Americans won their first ever Motocross des Nations title and the same year that one of the zaniest, most revered motocrossers of all time won all four motos of the Motocross and Trophee des Nations, a never-before-accomplished feat.  And, it was to never again be accomplished.  But this is not about Magoo (Danny Chandler.)  It’s the Icon’s birthday.  :-)

After a brief recovery, Bailey went on to an even better finish in the second moto.  He was sixth.  The Americans clobbered the world, placing all four team members in the top ten of each moto and winning the Trophee des Nations Championship by 21 points.

The following week, the team was in Wohlen, Switzerland for the Motocross des Nations.  Europeans looked at the 250cc bikes (Trophee des Nations) as a training ground for the “real” championship – the 500cc Open Class.  Though the American team had also won the Motocross des Nations in 1981, it was still regarded as a fluke by the rest of the world.  Magoo won both “big bike” motos and David Bailey was even better than on the 250; he finished fourth in the first moto behind Danny Chandler, Andre Vromans and David Thorpe.  He beat everyone but Magoo in the second moto and the fluke continued. 

That team of David Bailey, Johnny O’Mara, Danny Chandler and Jim Gibson is on my list of Super Heroes.  Man, those guys could ride.

I later wrote an article about Jim Gibson and his move to Yamaha.  See the previous blog post for that article.  David Bailey won both 250cc Motocross and Supercross championships in 1983, as well as again beating the world’s best by winning  the 250 USGP in Unadilla.  He and Brian Myerscough had one of the hardest fought most exciting motocross races I have ever seen, with Bailey taking the championship by beating such notables as Georges Jobe, Danny LaPorte, and Heinz Kinigadner –  all of whom are former 250cc World Champions.

Danny Chandler made a mockery of the 500cc Support Class at that event, winning so easily that he finished riding backwards on his Honda.

Unfortunately, I never got to watch Johnny O’Mara race again, although he went on to assemble one of the most impressive motocross resumes in the history of the sport.  Man, those guys could ride.

Though an unfortunate crash in 1987 ended his racing career, David Bailey still is one of the most authoritative voices in our sport.  It was his open letter to the industry that finally convinced me to spend over $400 on a piece of safety equipment for my grandson.  It is fun to think of those David Bailey days when I watch my grandson ride.  I even have a few pictures of him that look a little like the Icon.

 To the Icon, I say, “Thanks for the memories and Happy Birthday.” 

l8r

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I’ve sold photographs.  I’ve been taking and selling pictures since the mid-70s.  The Stars & Stripes and the European edition of TV Guide published nice articles on my photography after I won first place in several categories of the annual HQ USEUCOM (Military Forces, Europe) Photography Contest.  I was nearly overwhelmed with requests for portrait photography. 

I continued to sell photographs and articles to newspapers, magazines and advertising agencies as a motorsports photojournalist through the mid-80s.  It wasn’t until recently, however, that I considered selling photographs as fine art.   It has taken some convincing to transform myself from photographer to artist.  I have some really beautiful images of beautiful things and beautiful places. But, to call my work fine art seems a bit pompous. I certainly did not create the beauty.  Was photographing that beauty creative?  I painted a photograph of Venice in Photoshop Elements.  Does that make it art?

I did a Google search on fine art photography.  Here is what I found in Wikipedia:

Fine art photography refers to photographs that are created to fulfill the creative vision of the artist. Fine art photography stands in contrast to photojournalism and commercial photography. Photojournalism is to promote an editorial point of view. Commercial photography’s main focus being to sell a product or service.
The final creative reason for a fine art photograph is the photograph itself. It is not a means to another end except perhaps to please those besides the photographer who beholds it.

Wikipedia is my most authoratative source of information. I may not be an Ansel Adams but, according to Wikipedia,  I am a fine art photographer.  

I have done a lot of thinking on the subject since taking steps to promote my name in the fine art field. An acquaintance, former editor of Dirt Rider Magazine, sells his images of Motocross Legends as fine art. I have since learned that calendars and fine art prints of these legends sell quite well. And, they are expressly presented as fine art prints. Somehow, that seems to be an oxymoron, calling a calendar fine art.   This classic image of motocross legend David Bailey at the Unadilla MX Track, New Berlin, NY was taken in 1983. When printed on fine art paper using the giclée printing process it is fine art.  Many people have enjoyed them.  It seems the only answer to the question is … beauty is in the mind of the beholder.  I enjoy my art.  Hope you will too.

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This is where I will write about the how and why of my photography.   It is mostly about my pictures but will often reference the experts from whom I learn or point to websites of special interest.  I don’t want to confine myself to any specific subject.  I will wander around the world and into any area dealing with travel and photography. 

I have also copied several posts from my previous blog.  One, for instance, is my first impression of my new Nikon D80, Nikon D80 — WOW!.  It was written in March 2007, but seemed fitting for this blog.  Any article that seems confusing in relation to time or date was probably copied from the earlier blog.  They will be toward the bottom of this blog.  The more recent posts will be near the top.   I will try to include only those that I think will interest most readers/photographers.  Check the sidebar for subjects.  If you find it interesting … great.  If not … check back tomorrow. 

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